Our second skin

Identity, Print

Our Second Skin is a pavilion created by RADDAR as part of an investigation into the role of glass in contemporary architecture. Conceived and curated by Sol Camacho for the Chicago Architecture Biennial, the project occupies the Yates Gallery at the Chicago Cultural Center with a structure made from more than 2,200 pieces of waste generated by industrial glass manufacturing. Collected in Chicago and São Paulo, these fragments form a translucent skin that filters light, reorganizes space, and makes visible what the production process usually renders invisible. We developed the project’s visual identity and poster, seeking to graphically represent the idea of glass as our second skin—a surface clothed in ideologies and utopias, mediating the relationship between the inside and the environment around us.

Leston investigates the relationships between sound, image, code, and permanence. In dialogue with his research, we developed a visual identity and website that bring the system to the foreground. There is an interval in the gap between error, the blue screen, and code, and it is within this unstable space, between control and failure, that the project comes to life.

Simplexidade helps organizations operate in complex contexts without confusing complexity with complication. We applied this approach to the visual identity through graphics that explore the organic–digital duality and build on the idea of the power of relationships when integrated.

Revista Amarello brings art, design, beauty, philosophy, and architecture closer together. In the digital experience, images, generous margins, and typographic rhythms preserve the publication’s editorial density and create a space for attentive, sensitive reading.

Bauh is an original furniture studio that creates pieces from reclaimed wood. Produced in limited editions, its furniture is defined by close attention to materials and detail. We developed its visual identity, creating a sober, contemporary graphic system that supports the brand’s communication without competing with the material’s singular character.