Pretagonismos
Exhibition Design, Identity, Photography, Print
↗ Latin American Awards 2025
↗ Best of Behance
Pretagonismos shifts the way we look at the history of Brazilian art by foregrounding the presence, production, and narratives of Black artists in the collection of the Museu Nacional de Belas Artes. With more than one hundred works, the exhibition moves away from traditional chronology to build relationships among representation, decoloniality, identity, and historical reparation. The space asserts the right of Black people to exercise agency over their own narratives and to occupy the center—not the margins—of the country’s artistic and cultural production. Design and architecture work as a single reading structure: artworks, names, and stories gain presence so that another panorama of Brazilian art can emerge—broader, more critical, and, above all, necessary.
Bauh is an original furniture studio that creates pieces from reclaimed wood. Produced in limited editions, its furniture is defined by close attention to materials and detail. We developed its visual identity, creating a sober, contemporary graphic system that supports the brand’s communication without competing with the material’s singular character.
ICCI strengthens public debate on climate, democracy, and justice, working so that good ideas can lead to good conversations—and good conversations can help build a better country. We developed a visual and verbal identity that translates this vision into a graphic system designed to clarify complex topics while combining precision with institutional presence in contemporary, accessible communication.
Revista Amarello brings art, design, beauty, philosophy, and architecture closer together. In the digital experience, images, generous margins, and typographic rhythms preserve the publication’s editorial density and create a space for attentive, sensitive reading.
Clarice Lispector’s website at Instituto Moreira Salles offers two paths: one freer and more unpredictable, inviting visitors to explore the work through discoveries and detours, and another more direct. Manuscripts, letters, and documents from the archive reveal different readings and ways of (re)encountering Clarice.
