Carmen Portinho
Editorial, Exhibition Design, Identity
An engineer, urban planner, feminist, and decisive figure in the history of MAM Rio, Carmen Portinho dedicated her life to designing a fairer country through culture, technology, and social emancipation. The exhibition brings together works that reflect her involvement in social housing, the feminist movement, and arts education, while also revealing her fundamental role in building the museum itself. In dialogue with the exhibition design by Juliana Sicuro and Gávea Arquitetura, the show presents a trajectory that pushed against professional and political boundaries, reaffirming the continued relevance of a woman who made the act of designing both a cause and an effect of transformation.
Encruzilhadas: We Believe in Street Corners brought together seven sound offerings by 29 Brazilian artists. To visually translate the exhibition’s concept, we created a symbolic universe of images directly or indirectly connected to the orixá, bringing this entire crossroads together in a single place: the now.
Botton turns small habits into possible paths toward well-being. It is a brand that brings health, affection, and awareness together to care for oneself, for others, and for the planet without resorting to promises of immediate change.
Encantado, Silva’s seventh album, gains a tactile dimension through a publication that brings together images and traces of the creative process. Enchantment emerges precisely in this gap, where sound and image come together to create a sensory experience.
Clarice Lispector’s website at Instituto Moreira Salles offers two paths: one freer and more unpredictable, inviting visitors to explore the work through discoveries and detours, and another more direct. Manuscripts, letters, and documents from the archive reveal different readings and ways of (re)encountering Clarice.
