Play Festival
Exhibition Design, Identity, Website
Play is a festival that believes in the power of children and young people as protagonists of culture. Inclusive and participatory, it creates space for exchange and for different ways of learning and experiencing the city. As an open-access arts platform, it brings together multiple languages and forms of expression, valuing diversity and collaboration as part of its very way of existing. In the visual identity, forms that connect, repeat, and transform pursue this idea of continuous dynamism. They suggest paths and convergences, reflecting a festival where learning also means occupying spaces and building collectively. Play turns the city into a true educational territory, recognizing children and young people as active, curious, and essential participants in the creation of cultural life.
Encruzilhadas: We Believe in Street Corners brought together seven sound offerings by 29 Brazilian artists. To visually translate the exhibition’s concept, we created a symbolic universe of images directly or indirectly connected to the orixá, bringing this entire crossroads together in a single place: the now.
By Chance is a platform-artwork created to generate combinations and sets from keywords randomly drawn from collections created or curated by the artist. Like dice cast in a game of chance, these words follow specific instructions and reveal unexpected connections, opening paths for creative processes across different fields—from visual arts to education, music to literature.
At Mirá, ancestral Japanese techniques, natural fermentation, and Brazilian ingredients turn bread into a territory of research and memory. It is an independent bakery built between tradition, discovery, time, and care.
Clarice Lispector’s website at Instituto Moreira Salles offers two paths: one freer and more unpredictable, inviting visitors to explore the work through discoveries and detours, and another more direct. Manuscripts, letters, and documents from the archive reveal different readings and ways of (re)encountering Clarice.
