Our second skin
Identity, Print
↗ Chicago Architecture Biennal
Our Second Skin is a pavilion created by RADDAR as part of an investigation into the role of glass in contemporary architecture. Conceived and curated by Sol Camacho for the Chicago Architecture Biennial, the project occupies the Yates Gallery at the Chicago Cultural Center with a structure made from more than 2,200 pieces of waste generated by industrial glass manufacturing. Collected in Chicago and São Paulo, these fragments form a translucent skin that filters light, reorganizes space, and makes visible what the production process usually renders invisible. We developed the project’s visual identity and poster, seeking to graphically represent the idea of glass as our second skin—a surface clothed in ideologies and utopias, mediating the relationship between the inside and the environment around us.
Cuba: Ficción y Fantasía spans more than three decades of the country’s artistic production. Across different generations and languages, the exhibition reveals how imagination, spirituality, humor, and criticism become ways of reinventing Cuban reality.
With electric bicycles and self-propelled vehicles, baiq turns getting around into a more fluid, intelligent, conscious, and free experience. We developed the naming, branding, visual identity, brand applications across the products, and initial communication support, all of which carry this idea of movement forward.
Botton turns small habits into possible paths toward well-being. It is a brand that brings health, affection, and awareness together to care for oneself, for others, and for the planet without resorting to promises of immediate change.
An engineer, urban planner, feminist, and key figure in the making of MAM Rio, Carmen Portinho made the act of designing an instrument of social transformation. The exhibition tells her story and brings together works that reveal the breadth of her thinking.