Cuba, Ficción y Fantasia
Editorial, Exhibition Design, Identity, Print
Featuring works by some of Cuba’s most important contemporary artists—including Ana Mendieta, Iván and Yoan Capote, José Bedia, Juan Carlos Alom, Los Carpinteros, Marta María Pérez Bravo, Tania Bruguera, and Tonel—Cuba: Ficción y Fantasía spans more than three decades of the country’s artistic production. Bringing together different generations, languages, and perspectives, the exhibition addresses recurring themes in the Cuban experience, including mystery, religion, mysticism, repression, and political struggle. Across photography, video, installation, painting, sculpture, and performance, the works reveal how fiction and fantasy can become tools for interpreting a reality shaped by political tensions and social transformations. Without proposing a single or definitive reading, the exhibition builds a multifaceted panorama of Cuban art in which imagination, spirituality, humor, and criticism mingle as forms of resistance and reinvention.
Encruzilhadas: We Believe in Street Corners brought together seven sound offerings by 29 Brazilian artists. To visually translate the exhibition’s concept, we created a symbolic universe of images directly or indirectly connected to the orixá, bringing this entire crossroads together in a single place: the now.
By Chance is a platform-artwork created to generate combinations and sets from keywords randomly drawn from collections created or curated by the artist. Like dice cast in a game of chance, these words follow specific instructions and reveal unexpected connections, opening paths for creative processes across different fields—from visual arts to education, music to literature.
Maracanã Media produces original and documentary narratives about high-performance athletes. With a strong visual impact and a Brazilian perspective on sport, it reveals the stories, tensions, and desires that exist beyond the result.
Festival Teal Brasil brings together networks, practices, and inspiration to imagine more whole organizations. Like teal thinking itself, its shifting identity reflects an evolving field and is organized in layers: graphics overlap, shift in relation to one another, and produce ever-changing configurations, while content remains at the center.
