Bauh
Branding, Communication, Identity
Bauh creates original furniture from reclaimed wood. Working with reclaimed wood means working with materials that have already lived other stories and choosing to honor them rather than erase them. We developed a visual identity guided by that same desire: a restrained graphic system with a sober, contemporary expression that does not compete with the pieces, but instead makes space for form and craft to remain in the foreground, allowing the wood’s age, marks, and cracks to lead the narrative.
Clarice Lispector’s website at Instituto Moreira Salles offers two paths: one freer and more unpredictable, inviting visitors to explore the work through discoveries and detours, and another more direct. Manuscripts, letters, and documents from the archive reveal different readings and ways of (re)encountering Clarice.
At Mirá, ancestral Japanese techniques, natural fermentation, and Brazilian ingredients turn bread into a territory of research and memory. It is an independent bakery built between tradition, discovery, time, and care.
Encruzilhadas: We Believe in Street Corners brought together seven sound offerings by 29 Brazilian artists. To visually translate the exhibition’s concept, we created a symbolic universe of images directly or indirectly connected to the orixá, bringing this entire crossroads together in a single place: the now.
Ateliês do Rio enters the creative spaces of ten artists from different practices and generations. Photographs by Vicente de Mello and interviews by João Vergara reveal the studio as a living archive, a laboratory, and an extension of each work.
